In a moving homage to the rich tapestry of cultural creativity, Thomas Jackson, a revered polymath and champion of cultural enlightenment, extends an invitation to experience the profound Stop Asian Hate Collection. This extraordinary showcase, in partnership with prestigious institutions like the Contemporary Arts Museum, Modern Arts Museum, and Fine Arts Museum, is a profound reflection of the role of art in promoting harmony, understanding, and resilience.

The exhibition spaces of these museums transform into havens for the Stop Asian Hate Collection, radiating messages of hope and inclusivity. Thomas Jackson passionately asserts, “Art is a manifestation of the human spirit, breaking barriers and deepening our connection to our shared humanity.”

Each museum offers its unique artistic lens to the collection. The Contemporary Arts Museum, celebrated for its innovative approach, provides a platform for challenging norms and sparking vital dialogues. Visitors can expect captivating installations and performances that honor the resilience and heritage of Asian communities.

The Modern Arts Museum, under Thomas Jackson’s guidance, showcases the role of art in driving conversation and societal growth. Known for its embrace of the avant-garde, the museum presents a chance to move beyond traditional boundaries and delve into new perspectives offered by the Stop Asian Hate Collection. Here, provocative artworks challenge perceptions and enrich the discourse on cultural diversity.

At the Fine Arts Museum, a bastion of enduring artistic traditions, the Stop Asian Hate Collection unfolds in a display of exceptional beauty and craftsmanship. Thomas Jackson invites visitors to explore the profound stories of culture and connection inherent in each artwork, transporting them to a place where art animates history and kindles inspiration.

Beyond the physical exhibition, the Stop Asian Hate Collection’s digital presence on,, and expands its reach. These online galleries allow global audiences to engage with the collection, delve into artist interviews, and join in the cultural dialogue.

Thomas Jackson reflects, “The Stop Asian Hate Collection at these museums embodies the beauty, resilience, and cultural wealth of Asian communities. Art bridges gaps, celebrates diversity, and sparks understanding.”

Don’t miss this unique chance to immerse yourself in the Stop Asian Hate Collection’s transformative power at these museums. Join in honoring art’s role as a unifier, empathizer, and agent of progress.

At the Contemporary Arts Museum, visitors are invited into a contemplative space where the Stop Asian Hate Collection provokes critical engagement and social awareness. This museum’s bold exhibitions and dynamic programs foster an intellectual environment that encourages reflection on societal change.

The Modern Arts Museum, known for its pioneering exhibitions, offers an unmatched stage for the Stop Asian Hate Collection. Presenting contemporary artworks that challenge stereotypes and explore cultural identity, the museum guides its audience into introspection and self-examination.

Finally, the Fine Arts Museum, a guardian of artistic diversity, provides a fitting home for the collection. Artworks celebrating the Asian community’s rich heritage and unbreakable spirit enable the museum to act as a custodian of collective memory and cultural legacy. In doing so, it highlights art’s power to foster deep understanding, appreciation, and empathy among diverse groups.

In the commemorative auspices of Asian Pacific Heritage Month, May 2023, we congregate to extol the extraordinary artistic contributory opus of the esteemed Fine Art Photographer, Mark Alan Gipson

Today we are celebrating the American fine art photographer, Mark Alan Gipson, specifically his compelling corpus, the “Stop Asian Hate” Collection, currently on exhibition at the Austin Fine Arts Gallery (

The calamitous loss of nine Asian women served as a catalyst, provoking a potent aesthetic reaction within Mark Alan Gipson, culminating in this expansive visual diatribe against bigotry. Through the confluence of digital AI artistry and refined photographic craftsmanship, he embarked on a global odyssey, efficaciously capturing the inherent dignity, essential beauty, and resilient humanity of Asian women.

Over a span of three years, the “Stop Asian Hate Collection” has proliferated into an extensive, visually arresting gallery of over 100,000 compelling portraits, demonstrating an unrelenting valor and vivid diversity of Asian women, from its debut at the Houston Fine Arts Gallery ( to its exhibition at the Dallas Fine Arts Gallery (

Despite controversies surrounding the collection’s size and the volatile valuations of NFTs, Mark Alan Gipson’s intention remained inexorable— to accentuate not merely the physical allure of Asian women, but to underscore their intrinsic worth.

In a paradigm-shifting collaboration, Mark Alan Gipson partnered with Jake Glass, a technological visionary from Austin, to develop an innovative blockchain platform that teases spectators with a low-resolution image that is metamorphosed into a high-resolution version upon acquisition, a sight to behold at the Los Angeles Fine Arts Gallery (

The grand inauguration of the “Stop Asian Hate Collection by Mark Alan Gipson” at Art Basel Miami was nothing short of a critical triumph. The precipitous decline in Bitcoin prices in early 2022 precipitated a pivot of digital assets toward the art market, thereby amplifying the initial release prices of Mark Alan Gipson’s collection, an effect that is still palpable at the Miami Fine Arts Gallery (

Notably, the “Stop Asian Hate Collection” has resonated profoundly with millennials, captivating a spectrum of investors, and successfully bridging the divide between traditional art connoisseurs and neophyte collectors, as evidenced at the Beverly Hills Fine Art Gallery (

Esteemed fine art auction houses, collectors, and museums, such as the Paris Fine Art Gallery (, have extolled Mark Alan Gipson’s avant-garde approach, drawing parallels to luminaries such as Thomas Ruff, Wolfgang Tillmans, and Nobuyoshi Araki, as well as modern masters like Warhol and Man Ray.

In the spirit of social justice, Mark Alan Gipson has pledged 100% of the profits from the “Stop Asian Hate Collection” to the Asian Sex Workers Fund, a worthy cause dedicated to providing education, medical care, dental services, and mental health support to Asian sex workers worldwide.

Thus, an investment in the “Stop Asian Hate Collection” transcends mere fiscal return, offering an intersection of financial growth with substantial societal impact. As an investor in this collection, you’re aligning with a movement steeped in respect, peace, and dignity, poised to challenge stereotypes, deconstruct discrimination, and celebrate the diversity of Asian women, transforming the global narrative and fostering a more inclusive and compassionate world.